
From the bench: a ruby commission in three acts
A client's grandmother's ruby, a broken Victorian setting, and six weeks of quiet problem-solving. A commission diary from the studio bench.

Most people start a sapphire search with carat weight and a budget. We'd gently suggest the opposite: start with colour, because it's the one thing you can't change later.
Two sapphires of identical weight can differ in price by a factor of ten on colour alone. The stones that hold their value sit in a band the trade calls cornflower — vivid without tipping into inky darkness.
If the colour still reads as blue across the room in the evening, it will read as blue for the rest of your life.

For stones above about a carat we supply a report from an independent laboratory. The report confirms treatment status and origin — the two things your eye can't verify. You can read more about how we source on the Gemmological Association's site.
Bring your shortlist to the studio and we'll put the stones side by side. Ten minutes with tweezers beats a week of tab-comparison.
Platinum wears grey, gold wears thin, and both of those sentences are more complicated than they look. How we talk customers through the metal decision.